We are gods of cluedo.

cepeceng.com/magazine/FHM/Mei%202008#pagepg24

The radio single for Boy vs Bacteria’s mix of Season Finale is also in rotation in various radio stations. Any additional information on internet-radio, or any other local stations are welcomed.

Download BvsB’s sweet remix at sugarpopsugarpop.com/sajama-cut-to-relase-the-linternationale-remix-album/

L’Internationale – Sajama Cut remix album out June 2008!

Hampir tiga tahun setelah merilis The Osaka Journals LP, Sajama Cut kembali dengan format presentasi audio yang orisinil dan unik. L’Internationale; sebuah album remix yang memberikan frase “globalisasi” sebuah pengertian yang baru.

Lebih dari dua puluh musisi/produser/video-artist dari berbagai negara me-remix lagu-lagu dari The Osaka Journals dengan kebebasan intrepetasi yang mencakup berbagia format musik elektronica dan visual. Termasuk diantaranya; digitaliasi musik pop-electronic oleh Henry Foundation dari Goodnight Electric, kehangatan produksi IDM dari musisi experimental asal New York; Troncolon , nuansa nostalgia Chiptune/8-bit dari YMCK, Sintecoraz, dan Boy Vs Bacteria, unsur machismo Industrial-Electronica yang diberikan oleh Detong dari Prague dan Brain dari Italy, sampai nuansa retro new wave 80-an The Karl Maka dari Singapura.

Mereka yang terlibat berasal dari, antara lain; Perancis, Inggris, Venezuella, Jepang, Singapura, Italia, Amerika, Luxembourg, Yunani, Jerman, Skotlandia, Indonesia, dll, serta 3 video musik dari visual-artist internasional; Raquel Meyers dari Madrid, Spanyol; yang membuat video untuk Fin (VGO remix) menggunakan visual 8-bit yang sesuai, David Horvitz, dokumentarian resmi band eksperimental ternama Xiu Xiu; dari Brooklyn, New York, dan Hiroko Kosugi, seniman Jepang yang sedang meniti ilmu di London, Inggris, yang mem-visualisasikan video untuk Nemesis/Murder (YMCK mix), dengan stop-motion menggunakan mendium charcoal (arang).

L’Internationale mengumpulkan intrepetasi-intrepetasi artist-artist ini menjadi sebuah koleksi yang variatif, tanpa menghilangkan nuansa melankolis Sajama Cut yang familiar.

TRACKLISTING:

1. Season Finale (Boy vs. Bacteria) – STOCKHOLM, SWEDEN

2. Fin (Sintecoraz) – , CARACAS, VENEZUELA

3. Kyoto (The Karl Maka) – SINGAPORE

4. Nemesis/Murder (YMCK) – TOKYO, JAPAN

5. Scarlet (Pu King Dinnerguest) – OSLO, NORWAY

6. Fin (Video Game Orchestra) – ATHENS, GREECE

7. Fallen Japanese – (Henry Foundation) – JAKARTA, INDONESIA

8. Seasons:

I. (The Karl Maka) – SINGAPORE

II. (202 Project) – SAINT-ETIENNE, RHôNE-ALPES, FRANCE

III. (Super Multifaros) – SWEDEN

IV. (Detong) – PRAGUE, CZECH. REPUBLIC

9. Idol Semen (R.E.A.D.Y DOT) – LUXEMBOURG

10. Fin (Brain) –ITALY

11. Lagu Tema (Cacat Nada) – JOGJAKARTA, INDONESIA

12. Fallen Japanese (Tokay Tokek) – ROERMOND, NETHERLANDS

13. Alibi (Arcadecoma) – EDINBURGH, SCOTLAND

14. Take Care, Inamorata (Hello Stereo) – SEMARANG, INDONESIA

15. Fallen Japanese (Sawako) – NEW YORK CITY, USA

ENHANCED CD (Music Videos)
1. Fin (VGO Mix) Video, directed by Raquel Meyers from Madrid, Spain
2. Nemesis/Murder (YMCK mix), video by Hiroko Kosugi from Japan
3. Fallen Japanese (Sawako mix), video by David Horvitz from Brooklyn, NY

Limited to 1017 copies. This was originally intended for friends, families, and Sajama Club members only. Get this before we all die, and the price tag goes up on ebay to a gazzilion euros. Rp. 20.000, - Please send an email to info@sajamacutband.com, with the subject = Nemesis EP.

We have been recording new demos for about 4 months now. And prior to that being in pre-production for around 1, 5 years, with around 20-ish songs to begin with (with which we are left with 12 songs now). We’ve decided however that that was not long enough. We are scraping our previous demos for a batch of new arrangements for the songs. It felt incomplete, see. It didn’t feel like a sharp metal-based rock upon a toddler’s ugly face. Just kidding. We just though it would sound better. Much better. So we’re re-doing it. The guitars are really good (if I might say so), also the rhythm section, and the “lite” synth and/or orchestral arrangements sounds are quietly closing in to the noises in my head. That noise happens to be a mindfuck instruments trade-offs in the level of a pussy dipped porcupine hell.

When we’re finished, we think you’ll like it. Thank you for all the messages and emails.

M.

www.groups.myspace.com/sajamaclub
www.friendster.com/group/tabmain.php?gid=691149

OLD members: If you are a REGISTERED old member, you can also re-join these forums. However you DO NOT need to re-register your bio to info@sajamacutband.com

NEW members: Please also send your bio to info@sajamacutband.com, including your contact number.

So tell me a little about the remix album you’re releasing?
Well, we actually planned it right after we released Osaka Journals about a year ago. Some of my friends from the Netherlands and Australia were remixing our songs just for fun, and they ended up sounding horrible! (laughs). But the idea kind of started from there. I thought it would be a cool concept to have my friends from all these different parts of the world tweeking our songs. It kind of snowballed after that, with remixers recommending other remixers, and so forth. Some of my management guys also started asking these different producers if they would be interested, and most of them were very pleasant to work with.

Did you have difficulty dealing with the management of some producers?
Mostly, no. We dealt with a lot of them directly, and I’d say all of the ones we ended up working with were totally understanding with what we could offer back, which wasn’t much you know? It really was a positive experience of artists just working together for the sake of art, which a lot of times gets lost in the shuffle when you’re in production.

The first single is YMCK’s reworking of Nemesis/Murder. Why that one?
We just decided that it had a good balance of being a funky ass remix, but also still being in a song format. And it really was a song that we’ve never performed much, so people might not be too familiar with it. It’s a remix, but it’s also listenable for people who might need some push to listen to the more experimental remixes, you know? It’s always important to be able to lure people first, to have them open up to new experiences.

Do you have a favorite remix?
It changes for all of us. The management guys really like the whole chiptune remixes, and I tend to gravitate towards the more experimental remixes. It keeps switching. Although those 8-bit sounds definetly brings back a lot of good gaming memories.

You’re going to release a few limited EPs.
Yes. It was a natural extention of the remix project, where our hardcore fans could have something a little more personal. We’re starting with the Nemesis EP (The Bronze Medal Records), and hopefully we could get two-three out in the coming months.

Are you afraid that more bands are going to star copying this idea?
I don’t know. We didn’t come up with the concept of a remix album. It’s not copyrighted. But…yeah, it would piss me off! (laughs)